Fabia Ghenzovich
Venice | Italy
about
Fabia Ghenzovich was born in Venice, where she lives. She is interested in poetry and its possible interactions and contaminations between the languages of art and the musical one, as she did in her rap poem Metropoli, as well as in the contamination between language and dialect. She has published six books of poetry, and some of his poems have been translated into Romanian in Tribuna Magazin (Romanian magazine of Italian poetry), some haiku illustrated by painters and graphic designers and translated into Russian by the poet and critic Pavel Aleshin in a Russian magazine; other lyrics in English by Pina Piccolo. She has won the following prizes in poetry competitions: Guido Gozzano in 2009, the Charles Darwin Scientific Poetry Prize in 2014, the Anna Osti Prize in 2016, the Mazzavillani Prize for Italian dialects in 2020 and the first prize for poetry published in dialect Pinwheel of Words in 2021. Published Books: Giro di boa (Joker editions 2007) Italian language; Il cielo aperto del corpo; (Kolibris editions 2011 in paperback and in ebook on La Recherche 2016); Totem (Puntoacapo Editrice 2015); Se ti la vardi contro luse (Supernova editions 2018) first book in Venetian dialect; Nudità Il Leggio publishing bookshop 2020. Haiku (Venetian dialect with images by artists in dialogue with her poems) issued by the Venetian International Centre of Graphic Venezia, 2022.
à propos
Fabia Ghenzovich est née à Venise, où elle vit. Elle s’intéresse à la poésie et à ses possibles interactions et contaminations entre les langues de l’art et la langue musicale, comme elle l’a fait dans son poème rap Metropoli, ainsi qu’à la contamination entre la langue et le dialecte. Elle a publié six livres de poésie et certains de ses poèmes ont été traduits en roumain dans Tribuna Magazin (magazine roumain de poésie italienne), des haïkus illustrés par des peintres et des graphistes et traduits en russe par le poète et critique Pavel Aleshin dans un magazine russe ; paroles de chansons traduites en anglais par Pina Piccolo. Elle a remporté les prix suivants dans des concours de poésie : Guido Gozzano en 2009, le prix de poésie scientifique Charles Darwin en 2014, le prix Anna Osti en 2016, le prix Mazzavillani pour les dialectes italiens en 2020 et le premier prix de poésie publié en dialecte Pinwheel of Words en 2021. Livres publiés : Giro di boa (Joker editions 2007) en italien ; Il cielo aperto del corpo (Kolibris editions 2011, ebook chez La Recherche 2016) ; Totem (Puntoacapo Editrice 2015) ; Se ti la vardi contro luse (Supernova éditions 2018), premier livre en dialecte vénitien ; Nudità Il Leggio 2020. Haiku (dialecte vénitien avec des images d’artistes en dialogue avec ses poèmes) publié par le Venetian International Centre of Graphic, 2022.
LA LIBERTÀ
Uno scalino dopo l’altro
sarebbe troppo semplice
una salita senza la tensione
che ti metta alla prova
l’inciampo di un bisogno
in agguato troppo facile
sventare un fiasco
dirsi fratelli nello strappo
nel taglio con l’amaro
di un sorriso mai
abbastanza dilaniato.
Datemi pure una tenebra
abituale trascendetemi
la preda nel trionfo
di una maschera nei secoli
dei secoli blasfema cercatemi
la bussola senza direzione
la libertà arriva nuda.
THE FREEDOM
One step after another
that would be too simple
a climb without the tension
that tests you
the hurdle of a need
lurking too easy
to avoid a fiasco
call each other brothers in the rift
in the cut with the bitterness
of a smile ever
quite torn.
Give me an ordinary
darkness, too, transcend me
the prey in the triumph
of a mask blasphemous over
the centuries of the centuries, look for me
the directionless compass
freedom comes naked
s’alza il grido
mani levate al cielo
sugli occhi per coprire
lo spavento.
Dove tutto finisce
macerie e corpi
cantano la nota più cupa
che il cosmo raccoglie
del lutto.
Non bastano lacrime
a lavare la ferita nel buio
dove eravamo già stati
discendenti di Caino
ebreo cristiano o mussulmano
ti chiami assassino non più
uomo.
the cry goes up
hands raised to the sky
on the eyes to cover
the fear.
Where everything ends
rubble and bodies
sing the darkest note
of mourning that the cosmos
collects.
Tears are not enough
to wash the wound in the dark
where we had already been
descendants of Cain
Jewish Christian or Muslim
your name is murderer, not man
anymore.
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